Thursday, 25 Apr
Perth Concert Hall
Friday, 26 Apr
Royal Concert Hall, Glasgow
Saturday, 27 Apr
O2 Academy Edinburgh
Monday, 29 Apr
Barbican, York
Tuesday, 30 Apr
Liverpool Philharmonic Hall
Thursday, 2 May
Wolverhampton, The Halls
Friday, 3 May
Aylesbury Friars Waterside
Saturday, 4 May
De La Warr Pavilion, Bexhill
Sunday, 5 May
The London Palladium, London
Tuesday, 7 May
G Live, Guildford
Wednesday, 8 May
The Forum, Bath
Thursday, 9 May
Regent Theatre, Ipswich
Saturday, 11 May
Opera House, Manchester
Sunday, 12 May
Victoria Hall, Stoke-On-Trent
Monday, 13 May
Cambridge Corn Exchange, Cambridge
Tuesday, 14 May
Fairfield Halls, Croydon
Wednesday, 15 May
Pavillion Theatre, Bournemouth
Thursday, 16 May
Assembly Hall Theatre, Tunbridge Wells
When pianist Scott Bradlee started the time-twisting musical collective from a basement apartment in Queens, NY, an online, “viral” success story was born —one that quickly led to sold out shows across North America and Europe in the Summer of 2014.
The touring act received rave reviews from industry publications and world-renowned artists alike. In the years that followed, “PMJ” built a reputation as the “Saturday Night Live of Singers” by introducing audiences to dozens of exceptional musical artists —many of whom had been previously overlooked by the modern record industry — and turning them into bonafide stars.
Ten years and two billion views on their YouTube channel later, a Postmodern Jukebox show has become something of an annual musical tradition for hundreds of thousands of dedicated fans all over the world — fans that often show up dressed to the nines in their vintage best, eager to immerse themselves in the experience